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vinyl -- selection OCTOBER 2007 |
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| Artist: |
ANGELS OF LIGHT |
| Title: |
We Are Him |
| Label: |
Young God |
| Format: |
LP |
| Price: |
23,5€ |
| Catalog #: |
YG35LP |
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We Are Him is the fifth album from Angels of Light, the
main vehicle for Michael Gira's music since he disbanded
Swans in 1997. Gira is also known lately as the label master
and in-house producer for Young God Records, responsible
for the likes of Devendra Banhart, Akron/Family, and Lisa
Germano, among many others, further widening the scope and
influence of his 25 years of music-making. We Are Him is
a potent new chapter in a fiercely individual and remarkable
musical journey. Backing/contributing musicians include
Akron/Family, Bill Rieflin (Ministry, Swans, Robert Fripp,
and currently drummer for both Robyn Hitchcock and REM),
Julia Kent (Antony and the Johnsons) Christoph Hahn (longtime
Angel and former Swan) and many, many more...
Without any doubt, one of the best album of 2007 ! |
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| Artist: |
KTL |
| Title: |
KTL3 |
| Label: |
OR (UK) |
| Format: |
LP |
| Price: |
18,5€ |
| Catalog #: |
OR RATHER16 |
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LP-only release. This is the third full-length release
by KTL, the formidable collaboration between Stephen O'Malley
(SunnO))), Khanate, etc.) and Peter Rehberg (Pita, etc.).
Another soul-destroying follow-up to the highly-acclaimed
2, with more accompaniments created for the theatre piece,
Kindertotenlieder by Gisele Vienne and Dennis Cooper, which
premiered in Brest, France, March 2007. Perhaps the broadest
bulletin from the duo thus far, featuring two contrasting
tracks. The layered dementia bliss of "Loud Game"
counterbalances the fried dub of "Sunday." Stephen
O'Malley (strings, fx, amps, tube osc.); Peter Rehberg (digital
osc, apps, drives). Produced by Stephen O'Malley & Peter
Rehberg on location at Vienne Wintergarden, Grenoble &
Manoir Kéroual, Guilers, July 2006 and February 2007.
One-sided heavyweight vinyl and etching by Savage Pencil
(SAVX), packaged in a tip-on style outer sleeve, heavyweight
inner sleeve and sticker. |
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| Artist: |
KTL |
| Title: |
2 |
| Label: |
THRILL JOCKEY |
| Format: |
2LP |
| Price: |
30€ |
| Catalog #: |
THR 188LP |
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Deluxe gatefold double vinyl version of the 2nd KTL album
(CD released earlier on Editions Mego). "KTL is Stephen
O'Malley (Sunn O))), Khanate) and Peter Rehberg (Pita) --
a threatening collaboration taking in parallel worlds of
extreme computer music and black metal. 2 is the devastatingly
beautiful four part follow up to the acclaimed self-titled
debut and was recorded in a former abattoir in Angers, as
well as a 16th century manor in the extreme west of France.
Taking the blueprint that was laid out on the first record
even further, with the ecstatic build up of 'Theme,' the
near psychedelic 'Abattoir,' and closing with the twisted
romanticism of 'Snow 2.' An upgrade both artistically and
emotionally. As with the first album, elements appeared
in the finished version of the theatre piece 'Kindertotenlieder'
by Gisele Vienne and Dennis Cooper, which was premiered
in Brest, France, in March 2007." |
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| Artist: |
VA |
| Title: |
Brazil 70 -- After Tropicalia |
| Label: |
SOUL JAZZ RECORDS (UK) |
| Format: |
2LP |
| Price: |
21,5€ |
| Catalog #: |
SJR 164CD |
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Subtitled: New Directions in Brazilian Music in the 1970s.
"Soul Jazz Records follow up to their incredibly successful
Tropicalia: A Revolution in Sound mixes Brazilian funk,
rock, samba and soul in equal measures. Brazil 70 follows
Brazilian music in the 1970s in the aftermath of Tropicalia
and as the country's dictatorship entered its most oppressive
phase. Musicians and artists from the Tropicalia period
of the late-60s such as Gilberto Gil, Rita Lee (Os Mutantes
lead-singer) and Gal Costa entered a new phase mixing rock,
funk, samba and soul alongside a wealth of like-minded new
artists such as Novos Baianos, Raul Seixas, Nelson Angelo
and Joyce and more. With the constant threat of imprisonment,
artists nevertheless managed to produce radical music that,
like Tropicalia before it, managed to deal with questions
of identity, sexuality and society in a revolutionary manner.
Brazil 70 chronicles this period in Soul Jazz Records customary
style with extensive sleeve-notes, exclusive photography
and killer tunes! Vinyl comes on super-loud DJ pressing." |
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| Artist: |
ESG |
| Title: |
A South Bronx Story 2 |
| Label: |
Glacial Movements |
| Format: |
LP |
| Price: |
21,5€ |
| Catalog #: |
SJR 167LP |
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"Soul Jazz Records release an album of rarities and
alternate versions from New York punk-funk legends ESG.
ESG are the Scroggins sisters Renee, Valerie and Marie,
hailing from the South Bronx. Their place in history is
legendary, placing them at the heart of post-punk, hip-hop
and New York dance music. From playing the opening night
of Manchester's Hacienda to the closing night of Larry Levan's
Paradise Garage, ESG are a truly unique phenomenon. A South
Bronx Story 2 gathers together rarities from the group's
25 year career (and still going strong!). Featuring alternate
mixes of classic tracks such as 'You're No Good,' alongside
the legendary New York cut-up mix of 'Moody' and 'The Beat
(Dance To The Beat of Moody),' as well as super-rare tracks,
out-of-print for over twenty years, makes this album essential
for any ESG fan." |
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| Artist: |
HALF ASLEEP / SRX |
| Title: |
Split LP |
| Label: |
LE BONHEUR MEDIAS / HUMPTY DUMPTY RECORDS |
| Format: |
LP |
| Price: |
15,5€ |
| Catalog #: |
LE BONHEUR MEDIAS 02 / HMPTY003 |
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2nd release from LE BONHEUR MEDIAS ! First release
of a serie to be continued as and when the meetings and
musical affinities. split-lp "half asleep-srx"
is conceived as a double door on the universe of the female
songwriting. side a : young belgian valérie leclercq
(23) and his litlle sister oriane (20) performing as under
the name of half-asleep. this time, they've decided to explore
new melancholic and throbbing ways, oscillating between
the reinterpretation (cold water, hot water is a second
reading of half-sailor, song available on 'just before we
learned to swim') and the improvisation around an existing
melody structure (hell, bell; nowhere, somewhere). side
b, sandra reignoux aka srx (france) exploits the possibilities
of home recordings with disarming naivety and softness (you),
whistling (silly whistle) and whispering, without neglecting
to make swell the distortion and to leave free course to
its anticonformist personality (regular). In order to join
together the two girls in a common design, gwenola carrère,
young belgian illustrator designed a plentiful and childish
cover.
Screen Printed serie limited to
150 copies ! Be quick... |
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| Artist: |
MURCOF |
| Title: |
Cosmos |
| Label: |
LEAF |
| Format: |
2xLP |
| Price: |
23,5€ |
| Catalog #: |
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It's safe to say that Mexican ex-pat Fernando Corona
started a whole movement of classically-influenced electronic
music when he dropped his incredible debut album 'Martes'
back in 2002. With clipped and perfectly manipulated glitchy
beats to rival anything emerging from the Mille Plateaux or
Raster Noton stables and the kind of strings you'd expect
to hear on a Kieslowski movie, Corona introduced many electronic
music fans to the sounds of orchestral bliss and a subgenre
was born. Before long we heard the textural explorations of
Marsen Jules, the Badalamenti-inspired hum of Deaf Center
and the post-classical explorations of Ryan Teague, and although
many of them didn't sound identical to Corona's distinctive
work, his influence was clear. Now in 2007 and on his third
album Fernando Corona is at something of an interesting juncture
in his career, looking to move on into new pastures while
holding on to that signature sound. 'Cosmos' is a collection
of six long-form pieces, music which for the most part dispenses
with the beats altogether. His ability to layer strings into
epic soundscapes rich with gravitas and levity is breathtaking,
some have even mentioned Sunn O))) as an influence and certainly
that can be heard on 'Cosmos' and 'Cosmos II', two highlights
which build slowly over their ten minute duration into almost
cacophonous noise. Another more suitable comparison however
might be Machinefabriek who has also perfected this sound
(as heard on 'Cello Recycling/Cello Drowning'), but where
Rutger Zuydervelt lavishes his compositions with white noise
and machine hum, Corona disguises his strings with digital
clatter and electronic debris. Those distinctive beats we
all became accustomed to on 'Martes' and 'Remembranza' do
eventually make an appearance too, but their impact is Muted,
surrounded by the grandiose darkness of the string arrangements.
Eventually the album comes to a close with its longest piece,
the glorious 'Oort' which is possibly the best thing here.
Draped in orchestral flourishes and deftly played instruments
(violin, horn, piano, xylophone) much of the track is in near
silence, but grows and pulses assuredly like an ECM record
heard through walls of aluminium, or Supersilent submerged
beneath the sea. Yet another triumph from Fernando Corona
then, and another highly recommended purchase. (Boomkat) |
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| Artist: |
EFTERKLANG |
| Title: |
Parade |
| Label: |
LEAF |
| Format: |
2xLP |
| Price: |
22,5€ |
| Catalog #: |
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Over recent years the Scandinavian nations have acquired quite
a reputation for their expansive, orchestral pop music, with
Efterklang being one of the most reliable ports of call for
icy, string-based lyricism. Parades finds the band distancing
themselves from the throngs of post-rock groups that emerged
in the wake of Sigur Ros' success, instead focussing on a
folksy, more up close and personal take on the genre. The
crisply realised electronic sound design and church choir
dynamics of 'Polygyne' typifies what Efterklang do best, occupying
a grand scale yet avoiding the impersonal, succeeding in compressing
an enormous amount of sonic detail into a comparatively intimate
setting. The fact that the group seem to all muck in together
(particularly when it comes to vocals) only adds to the charm.
'Mirador' is better yet, a piece that finds Efterklang getting
quirky with some knockabout, domestic electronics, taking
on Múm at their own game, and frankly, coming off very
favourably. The mood does dip on occasion, with pieces like
'Frida Found A Friend' capturing the band in a mournful mood,
pairing twinkling music box melodies with requiem-like brass
and choral sequences. Parades follows up on the impressive
form the group sustained throughout Under Giant Trees, proving
that they're still in the upper tier of the Scando-rock elite. |
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| Artist: |
KLEMENT |
| Title: |
v/s |
| Label: |
Contre-coeur |
| Format: |
LP |
| Price: |
11€ |
| Catalog #: |
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| Artist: |
VARIOUS |
| Title: |
COILECTIF |
| Label: |
Rotorelief |
| Format: |
2xLP Limited to 400 copies |
| Price: |
30€ |
| Catalog #: |
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17 groupes français issus de la genèse des musiques
industrielles, expérimentales, free jazz, musiques
de traverse en général et également la
suite logique de formations plus récentes forment COILECTIF:
ART&TECHNIQUE [voix de JOHN BALANCE], BELA GOOSY, DEFICIT
DES ANNEES ANTERIEURES, DE MANGE MACHINE, DESACCORD MAJEUR,
ETANT DONNES, GAS ANOREX, GITANJALI & THE MASTERS OF MYSTIC
ENTERTAINMENT, ILITCH [vs COIL's samples], JAC BERROCAL &
JACK BELSEN, LAURENT PERNICE & JACQUES BARBERI, LES NOUVELLES
LECTURES COSMOPOLITES, OTHILA, PACIFIC 231, PALO ALTO, SERVOVALVE,
VIVENZA.
Ces artistes explorent et expriment, ouvertement et sans limites,
ce que leur suggère l’héritage de Coil,
une bonne manière de rendre hommage à Geff Rushton
aka John Balance ou Jhon[n] disparu le 13 novembre 2004. Coilectif
est également un hommage à l’ensemble
des artistes musiciens et aux illustrateurs Scherer &
Ouporov participant au projet, jamais réunis auparavant
dans cette configuration, où chacun exprime, par des
excursions lunaires, astrales et visionnaires, ce que l’univers
de Coil lui évoque tout en conservant son identité
artistique.
Il ne s’agit pas d’une compilation de remixes
ou de reprises de morceaux de Coil, ou encore d’un catalogue
de morceaux de ces artistes déjà édités,
mais d’un véritable concept de création,
dans lequel ce collectif d’artistes s’homogénise
autour d’un véritable projet artistique dont
les 17 titres inédits forment une œuvre intime,
magnétique et intemporelle.
Cette édition vinyle est accompagnée par des
citations de divers artistes et d’un texte écrit
pour le projet par l’écrivain et philosophe Jean-Marc
Vivenza, appelé « méditation sur la mort
». |
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